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A Noise Within
Q&A with Frankenstein Scenic Designer François-Pierre Couture
If you’re curious about the magic behind the world of Frankenstein, look no further! Scenic Designer François-Pierre Couture shares about his experience and inspiration in designing for our production – from mirrored boxes to wood beams to radical set transformations. What attracted you to Frankenstein? What is most intriguing to you about this story? The most…
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A Noise Within
First Look at Buried Child
Every family has its dirt. In this case – literally! Our two leads Deborah Strang and Geoff Elliott had to get down and dirty to prepare for our Buried Child photoshoot. Deborah managed to get away with an artful smattering of dirt, but Geoff had to smear mud all over his face and his hands…
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A Noise Within
Gem of the Ocean First Rehearsal Recap
Before first rehearsal for Gem of the Ocean began, Director Gregg T. Daniel invited Choreographer Joyce Guy to help him perform a libation ceremony. Joyce Guy, with dangling earrings shaped as the African continent, followed after him as he poured wine from a gourd on each of the four corners of the room. As they walked,…
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A Noise Within
First Look at Gem of the Ocean
We were back in the studio for the second time this season with our cast from Gem of the Ocean: Veralyn Jones as soul cleanser Aunt Ester, Kevin Jackson as former Underground Railroad conductor Solly Two Kings, and Evan Lewis Smith as the play’s main protagonist Citizen Barlow. Given the play’s themes of healing and baptism…
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A Noise Within
Frankenstein First Rehearsal Recap
“Who here has read Mary Shelley’s original novel Frankenstein?” This was Director Michael Michetti’s opening question to the cast and crew at Frankenstein‘s first rehearsal. Some hands went up, but some didn’t. “That’s okay, you weren’t expected to,” said Michetti. “Not everyone has read it, so there are a lot of misconceptions about the story.”…
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A Noise Within
First Look at Frankenstein
A scientist and a Creature walk into a photo studio… It’s a face-off for the Victorian age! In our Frankenstein photo shoot, Kasey Mahaffy and Michael Manuel came together for the first time as Victor Frankenstein and the Creature, along with director Michael Michetti. Our concept for the shoot explored the dualities of creator and creation,…
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A Noise Within
Get to Know Desdemona & Medea
One of most unique traits of A Noise Within is our dedication to rotating repertory theatre, where several plays alternate on our stage and where our actors create an artistic muscularity from juggling different worlds and aesthetics and characters at once. This season, one such example is Angela Gulner, who plays Desdemona in Othello and Medea…
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A Noise Within
Meet the Women of Othello
We love hearing from you, the audience member, about what you thought of our productions – including Othello. Recently, some of you noticed how several roles traditionally cast as men are played by women in our production and you wanted to hear from the cast about their experience. Today, we’re bringing your questions to our actors and…
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A Noise Within
Q&A with Military Consultant Jack LaZebnik
A unique part of our rendition of Othello is that even though the language is Shakespeare, Venice stands in for Washington D.C. and Cypress for Afghanistan, and the characters are in modern military uniform. Director Jessica Kubzansky wanted our representation of the military to be as authentic as possible, which is why we have CPT Jack…
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A Noise Within
Q&A with The Glass Menagerie Lighting Designer Ken Booth
Lighting plays a big role in Tennessee Williams’ original vision for his memory play, evoking how memories fade around the edges and shift with the passing of time. Resident Artist Ken Booth talks about how he is combining his vision with Williams’ in the lighting design of The Glass Menagerie. What attracted you to The Glass Menagerie?…