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A Noise Within
ATTEND THE TALE: A SWEENEY TODD FOR THE 21ST CENTURY
By Dr. Miranda Johnson-Haddad (Resident Dramaturg, A Noise Within) Ever since its debut on Broadway in 1979, Stephen Sondheim’s musical Sweeney Todd has usually been described as a “dark comedy,” a “comic-horror musical,” or with such epithets as “hilariously terrifying.” (“Murder most tasty!” jokes one reviewer of the current Broadway revival.) But as entertaining and…
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A Noise Within
An Outsider’s Guide to Loving Sweeney Todd
Growing up, my friends and I were what I’d call “casual musical theatre enthusiasts,” diving into our favorite songs from The Heathers and Hamilton musicals for months on end, but then moving on to another interest just as quickly. Stephen Sondheim was not on my radar then. Until very recently, everything I knew about Sweeney Todd…
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A Noise Within
Beyond Bah Humbug: Understanding How Social Inequity in A Christmas Carol is Part of its Enduring Appeal Today
Charles Dickens’ timeless classic A Christmas Carol paints a portrait of Victorian England that seems to evoke a bygone era. But on closer inspection, our world today shares many of the social inequities that Dickens captured so vividly, and that he himself experienced as a child. And this portrait of social inequity and personal redemption—from its…
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A Noise Within
“Why I Had to Adapt The Bluest Eye
By Lydia R. Diamond In high school my English teacher, a brilliant woman who saw a writer in me decades before I’d see it in myself, gave me Toni Morrison’s Beloved. I read the whole thing in one sitting, and so much of it went over my head. Looking back, I realize that I protected…
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A Noise Within
Manuel Puig’s Kiss of the Spider Woman: The Gift of Storytelling
By Dr. Miranda Johnson-Haddad, Resident Dramaturg at A Noise Within Manuel Puig’s novel Kiss of the Spider Woman was a critical failure when it was first published in 1976. Yet it has had what one commentator (Isaac Butler, writing in The New Yorker in December 2022) has called “a remarkable afterlife.” Puig himself adapted the…
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A Noise Within
Jessica Kubzansky’s Director’s Note for Othello
For me, Othello is a story about the terrible power of love when it is thwarted. For all its broader social and political messages, this play is also a small, deeply personal story about two men who have battled together, have had each other’s backs, and have been brothers through the wars together. It is…
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A Noise Within
Storytelling and Arts in Prison
At A Noise Within, an important part of our work involves engagement with community organizations whose values align with our own. In setting our production of Man of La Mancha in a modern-day prison facility, director Julia Rodriguez-Elliott hoped to showcase the transforming effect storytelling can have on the lives of prisoners. This spring we developed partnerships…
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A Noise Within
“Every Inch a King”: The Universal and the Human in Shakespeare’s King Lear
Need a refresher on King Lear before the show? Long-time ANW contributing scholar Dr. Miranda Johnson-Haddad gives you a quick historical, psychological, and cultural analysis of Shakespeare’s masterpiece. “Every Inch a King”: The Universal and the Human in Shakespeare’s King Lear By Miranda Johnson-Haddad, Ph.D. Although King Lear has historically been regarded as Shakespeare’s masterpiece, it has…
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A Noise Within
The 1947 “Failure” of Jean Genet’s The Maids
Genet is on record describing The Maids as a “failure.” Why? Christopher Lane, in his article “The Voided Role: On Genet”, supposes that the “failure” of the play is encoded in its message, or we might say, in its poetics…. Lane writes that “Genet’s interest in his characters’ fantasies and identifications interrupts what might seem an obvious oscillation between master and…