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A Noise Within
Beyond Bah Humbug: Understanding How Social Inequity in A Christmas Carol is Part of its Enduring Appeal Today
Charles Dickens’ timeless classic A Christmas Carol paints a portrait of Victorian England that seems to evoke a bygone era. But on closer inspection, our world today shares many of the social inequities that Dickens captured so vividly, and that he himself experienced as a child. And this portrait of social inequity and personal redemption—from its…
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A Noise Within
Guest Blogger: Introducing Melia Person, A Noise Within’s Marketing Intern
Hello theatre lovers! My name is Melia Person, the marketing intern here at A Noise Within and I’m absolutely thrilled to be the guest blogger this month. When I embarked on this internship journey through the Los Angeles County Arts and Culture program, the inner workings of repertory theatre were a mystery to me. Despite this,…
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A Noise Within
“Why I Had to Adapt The Bluest Eye
By Lydia R. Diamond In high school my English teacher, a brilliant woman who saw a writer in me decades before I’d see it in myself, gave me Toni Morrison’s Beloved. I read the whole thing in one sitting, and so much of it went over my head. Looking back, I realize that I protected…
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A Noise Within
Q&A with Lauren Gunderson
Hello Lauren, we are excited to welcome your work to A Noise Within. I read in an interview with you and St. Ambrose University that your theatre career began as a young actor. Was that the moment your love of theatre began? Yes! I started performing professionally in Atlanta when I was 10 and quickly…
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A Noise Within
Manuel Puig’s Kiss of the Spider Woman: The Gift of Storytelling
By Dr. Miranda Johnson-Haddad, Resident Dramaturg at A Noise Within Manuel Puig’s novel Kiss of the Spider Woman was a critical failure when it was first published in 1976. Yet it has had what one commentator (Isaac Butler, writing in The New Yorker in December 2022) has called “a remarkable afterlife.” Puig himself adapted the…
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A Noise Within
Q & A with Michael Michetti
Welcome back to A Noise Within, Michael. At ANW, you have directed Frankenstein, A Picture of Dorian Gray, The Comedy of Errors, Hamlet etc. What was it about Kiss of the Spider Woman that attracted you to the story? When Geoff and Julia asked me if I was interested in directing it, I knew the…
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A Noise Within
Q&A with Guillermo Cienfuegos
This is your debut at A Noise Within, welcome by the way. Can you share with us your journey before ANW? I’ve been working as an actor (under my given name Alex Fernandez) in theatre, film, television, and voice over since 1990, when I graduated from the training program at the American Conservatory Theatre. I’ve…
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A Noise Within
Anna in the Tropics First Rehearsal Recap
Nilo Cruz’s Anna in the Tropics ripples with raw passion and intriguing drama that pulls the workers of a Cuban-American cigar factory through an explosive transformation as a lector reads them Tolstoy’s Anna Karenina. In his opening remarks for first rehearsal, Director Jonathan Muñoz-Proulx (he/him) said: “We’re looking for a distilled elegance and beauty in…
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A Noise Within
The Women of Shakespeare Q&A
Who better to talk to about the world-shaking women in All’s Well That Ends Well than to talk to the women in our production! Enjoy insight from Director Nike Doukas (she/her) and Resident Artists Erika Soto (she/her) and Deborah Strang (she/her), who play Helen and the Countess of Rosillion, respectively. What does women empowerment look like for Helen…
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A Noise Within
Q&A With Erika & Bernard
A no-name woman with healing abilities. A powerful but ailing king. Their first meeting sets the events of Shakespeare’s All’s Well That Ends Well into motion. Erika Soto (she/her), who plays Helen, and Bernard K. Addison (he/him), who plays the King of France, got together to talk about their characters and how their interactions speak to the…
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Behind the Scenes
