2026-27 SEASON

AUGUST WILSON'S

Ma Rainey's Black Bottom

Directed by Gregg T. Daniel §
August 23 – September 20, 2026

Performance Dates:
August 23 – September 20, 2026

About performance

As part of our commitment to presenting August Wilson’s work, we bring you our seventh production of his American Century Cycle: Ma Rainey’s Black Bottom, directed by Gregg T. Daniel. Set in a Chicago recording studio in 1927, August Wilson’s Ma Rainey’s Black Bottom unfolds with tension, music, and truth. As legendary blues singer Ma Rainey arrives to record, underlying conflicts rise among her band, exposing deep wounds, ambition, and the realities of race in America. With sharp dialogue and unforgettable characters, Wilson crafts a powerful, intimate portrait of artistry, identity, and control. Both electric and deeply human, Ma Rainey’s Black Bottom is a gripping exploration of faith, joy, and the cost of being heard.

AUGUST WILSON’S MA RAINEY’S BLACK BOTTOM is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

Header Image:
Amber Liekhus in Ma Rainey's Black Bottom. Photo by Daniel Reichert.

Above:
1. Jamar Gilbert and Amber Liekhus in Ma Rainey's Black Bottom. Photo by Daniel Reichert.
2. Jamar Gilbert in Ma Rainey's Black Bottom. Photo by Abe Portillo.
3. Amber Liekhus in Ma Rainey's Black Bottom. Photo by Daniel Reichert.
4. Alex Morris, Gerald C. Rivers, Kai A. Ealy, and Jamar Gilbert in Ma Rainey's Black Bottom. Photo by Abe Portillo.

Sponsors

Presenting Sponsor: Richard & Sally Roberts

Producing Sponsor: Sheila & Alan Lamson

Sponsor: William & Priscilla Kennedy

Student Matinee Sponsor: Nancy & Keith Price

Special Performances

Opening Night

August 29, 2026 – 7:30pm
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Black Out Night is a purposeful, exciting creation of an environment in which an audience, self-identifying as Black, can come together and experience a performance in community. A reception will follow the performance, providing an opportunity for the audience to discuss their experience and to socialize! Non-Black-identifying patrons have the option to attend, or to select a different performance.

September 12, 2026 – 7:30pm
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Pay What You Choose

Pay What You Choose tickets will be available to purchase online for as low as $10 starting at 12 pm on the Monday before the performance with the choice to pay $10 or $20 (excluding handling fee). Tickets can also be purchased at the Box Office after 2 pm day of the performance. Suggested price of $10.

August 26, 2026
August 27, 2026


INsiders discussion

Join us at 12:30 pm prior to the August 30 matinee for a FREE INsiders Discussion!

August 30, 2026 – 12:30pm
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Post-Show Conversations

After select Friday 7:30 pm and Sunday 2 pm performances, join us after the show for a conversation with the actors.

September 4, 2026
September 6, 2026
September 11, 2026
September 13, 2026
September 18, 2026


GalaPro Closed Captioning

Join us for select performances, where we’re excited to offer GalaPro closed captioning, courtesy of the Perenchio Foundation, enhancing accessibility for all our patrons.

September 19, 2026 – 2:00pm
September 20, 2026 – 2:00pm

More info

2026-27 Season

Ma Rainey's Black Bottom

artists + cast

CAST

Ma Rainey: Amber Liekhus*
Levee: Jamar Gilbert*
Cutler: Kai A. Ealy*
Toledo: Gerald C. Rivers*
Slow Drag: Alex Morris*
Irvin: Bert Emmett*
Sturdyvant: Matt Foyer*
Dussie Mae: CJ Obilom*
Sylvester: Francic C. Edemobi
Policeman: James Nardini
Understudy for Ma Rainey: Gwendolyn McCann-Mulamba*
Understudy for Levee: Kameron J. Brown
Understudy for Dussie Mae: Sierra Nicolette Smith*
Understudy for Irvin: John Shartzer*
Understudy for Sturdyvant: Ken Merckx Jr.*
Understudy for Cutler: Khalif J. Gillett*

Creative Team

Artistic Directors: Julia Rodriguez-Elliott and Geoff Elliott
Director: Gregg. T. Daniel §
Stage Manager: Sami Hansen*
Assistant Stage Manager: Bryan Tiglio
Music Director: Byron Smith
Scenic Designer: Tesshi Nakagawa
Assistant Scenic Designer/Charge Artist: Angelene Storey
Costume Designer: Christine Cover Ferro
Lighting Designer: Ken Booth
Sound Designer: Jeff Gardner
Wig Designer & Make-up: Sheila Dorn
Dialect Coach: Andrea Odinov
Choreographer: Joyce Guy
Fight Choreographer: Ken Merckx Jr.
Resident Dramaturg: Miranda Johnson-Haddad
Master Carpenter: Rochelle Concepcion
Master Electrician: Georgia Shupper
Light Board Operator: Sam Campbell
A1: John Conant
A2: Chloe Pate
Managing Director: Conner Criswell
General Manager: Sylwia Dudzinska
Casting Director/Artist Relations:
Alison Rodriguez
Production Manager: Juli Figueroa-Castro
Properties Designer / Technical Director: Stephen Taylor
Costume Shop Manager: Courtney Park
Costume Shop Assistant/First Hand: Erin McComb
Costume Shop Stitcher/Wardrobe: Ashley Marshall

* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
§ The Director is a member of the Stage Directors and Choreographers Society, a national theatrical labor union.

PLAN YOUR VISIT

DRIVING DIRECTIONS

A Noise Within’s Main Entrance and Box Office are located at 3352 E Foothill Blvd., Pasadena, CA 91107.

WALKING DIRECTIONS

Exit the parking structure at Level 1 on the Sierra Madre Villa Ave side where the elevators are located.

RIDING THE METRO

A Noise Within is conveniently located within steps of the Metro A Line Sierra Madre Villa station.

Event Calendar

Visit our event calendar to plan your next visit to the theater.

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Special offers, announcements & news

2026-27 Season
Ma Rainey’s Black Bottom
Choose a date

August 2026

Sun 23
2:00pm
Preview
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Wed 26
7:30pm
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Thu 27
7:30pm
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Fri 28
7:30pm
Preview
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Sat 29
7:30pm
Opening Night
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Sun 30
2:00pm
 
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September 2026

Thu 03
7:30pm
 
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Fri 04
7:30pm
 
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Sat 05
2:00pm
 
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Sat 05
7:30pm
 
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Sun 06
2:00pm
 
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Thu 10
7:30pm
 
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Fri 11
7:30pm
 
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Sat 12
2:00pm
 
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Sat 12
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Sun 13
2:00pm
 
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Thu 17
7:30pm
 
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Fri 18
7:30pm
 
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Sat 19
2:00pm
 
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Sat 19
7:30pm
 
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Sun 20
2:00pm
Closing Performance
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Alex Morris
Resident Artist
WITH A NOISE WITHIN:

2026-27 Season: Slow Drag, Ma Rainey’s Black Bottom

Previous Seasons: Seth, Joe Turner’s Come and Gone; Doaker, The Piano Lesson; Eli, Gem of the Ocean; Elder Joseph Barlow, Radio Golf; Ben Jonson/Barman 2/Sir Edward Dering, The Book of Will; Soaphead Church/Daddy, The Bluest Eye; Peter Quince, A Midsummer Night’s Dream

ELSEWHERE: Matrix Theater: Two Trains Running and All My Sons. Other roles: Entire August Wilson canon; Enobarbus, Antony and Cleopatra; T-Bone, T-Bone and Weasel; Lucien P. Smith, Boys Next Door; among many others.

FILM/TV: Baskets, Malcolm in the Middle, Magnum P.I., Wishbone, Powder, Blind Fury, Sunrise in Heaven, and many more. Awards: 4 time NAACP Theater Award winner as an actor, producer, and director. Ovation Award winner. Special thanks to my extraordinary wife and partner of 23 years, Vanessa, and to Kamilah Alex Jr. and Alex III for their love and support. Thanks Gregg!

Amber Liekhus
Resident Artist
With ANW: Ma Rainey, Ma Rainey’s Black Bottom; Mrs. Cratchit, A Christmas Carol; Mrs. Curtin, A Man of No Importance; Ensemble, The Skin of Our Teeth; Beggar Woman, Sweeney Todd; u/s Ruby, King Hedley II.

Other Theatres: Amber has enjoyed a thrilling career across theatre, opera, and concert stages in the U.S. and abroad. Her theatre credits include Jelly’s Last Jam (Pasadena Playhouse), Ain’t Misbehavin’ (Musical Theatre West, McCoy Rigby), We Can Do It (Wilshire Ebell Theatre), La Cage! (Hollywood Roosevelt), Annie (Hollywood Bowl), Sweet Charity (Reprise 2.0), and Blues in the Night (The Wallis). At A Noise Within, she has appeared as Mrs. Cratchit in A Christmas Carol, Mrs. Curtin in A Man of No Importance, Beggar Woman in Sweeney Todd, and as a featured singer in The Skin of Our Teeth.

An accomplished operatic soprano, Amber has performed as the Queen of El Dorado in Candide (LA Opera), the title role in Suor Angelica (Opera di Roma), and Lily in Porgy and Bess (San Francisco Opera, LA Opera). She has appeared as a soloist with both the Southeast Symphony and Pacific Symphony. Amber also performs with the Singers of Soul, sings with DC6 Singers Collective in MUSE/IQUE’s Tribute to Etta James, and recently sang backup for Josh Groban at the Hollywood Bowl.

A highly sought-after vocal teacher and coach, Amber is the owner of Amber Liekhus Vocal Studio, where she trains singers of all levels, and serves as conductor of the Landlights Community Choir, inspiring and cultivating a love of music in her community. Her favorite role, however, is being mom to Julien and Jasper, alongside her supportive husband, Justin. Amberliekhusvocalstudio.com

Alison Rodriguez
Resident Artist
AT A NOISE WITHIN:

2016-17 Season: Belle/Ensemble, A Christmas Carol

Previous Productions: The Stepdaughter, Six Characters in Search of an Author; Antoinette, A Flea in Her Ear; Calpurnia/Plebian, Julius Caesar; Dolly, The Threepenny Opera; Miranda, The Tempest; Mariane, Tartuffe; Cherry, The Beaux’ Stratagem; Belle/Laundress, A Christmas Carol; Curio, Twelfth Night, or What You Will; Edith, Blithe Spirit; Perdita, The Winter’s Tale; and also appeared in A Doll’s HouseSkin of Our TeethCat on a Hot Tin RoofMan of La Mancha; O’PioneersThe Threepenny OperaOedipus; and A Midsummer Night’s Dream at The Hollywood Bowl

OTHER THEATRES: The Illyrian Players: Sir Toby Belch, Twelfth Night. The Lyric Hyperion Theater: The Vagina MonologuesIO West: Two Girls One Bard

EDUCATION/TRAINING: B.A. Theater–UCLA; Masters, Theater Education—University of Northern Colorado (2018)

Geoff Elliott & Julia Rodriguez-Elliott
Artist Directors
A Noise Within Producing Artistic Directors, Julia Rodriguez-Elliott and Geoff Elliott both hold Masters of Fine Arts from San Francisco’s American Conservatory Theatre. In 1991, they set an ambitious vision for ANW: to establish a home for the classics that would present a challenging repertory, take artistic risks, and ensure accessibility to diverse audiences. Through their passion and persistence, the theatre now ranks as a leading regional theatre and presenter of great world drama in Southern California.

Under their leadership, ANW has brought more than 250 productions to the stage and transformed a dream into reality with the establishment of its permanent Pasadena home. Their work in directing, acting, and producing has been widely recognized for its excellence, earning numerous awards and industry honors.

Their work has been recognized with numerous honors from the Los Angeles Drama Critics Circle for producing, acting, and directing. This includes the prestigious Margaret Harford Award, the Polly Warfield Award, and the Distinguished Achievement in Direction Award.

They are also recipients of the Stage Raw Queen of the Angels Lifetime Achievement Award, multiple Ovation Awards for production, and the American Conservatory Theater Award in recognition of their outstanding contributions to the field of theatre.

Photo by Abe Portillo.

Julia Rodriguez-Elliott and Geoff Elliott
Producing Artistic Directors
A Noise Within Producing Artistic Directors, Julia Rodriguez-Elliott and Geoff Elliott both hold Masters of Fine Arts from San Francisco’s American Conservatory Theatre. In 1991, they set an ambitious vision for ANW: to establish a home for the classics that would present a challenging repertory, take artistic risks, and ensure accessibility to diverse audiences. Through their passion and persistence, the theatre now ranks as a leading presenter of great world drama in Southern California.

Under their leadership, ANW has brought more than X productions to the stage and transformed a dream into reality with the establishment of its permanent Pasadena home. Their work in directing, acting, and producing has been widely recognized for its excellence, earning numerous awards and industry honors.

Their work has been recognized with numerous honors from the Los Angeles Drama Critics Circle for producing, acting, and directing. This includes the prestigious Margaret Harford Award, the Polly Warfield Award, and the Distinguished Achievement in Direction Award.

They are also recipients of the Stage Raw Queen of the Angels Lifetime Achievement Award, multiple Ovation Awards for production, and the American Conservatory Theater Award in recognition of their outstanding contributions to the field of theatre.

Photo by Abe Portillo.

Ken Booth
Resident Artist
With ANW: Ma Rainey’s Black Bottom, One Man, Two Guvnors, A Man of No Importance, Jane Eyre, The Skin of Our Teeth, Misalliance, Sweeney Todd, A Midsummer Night’s Dream, The Book of Will, Much Ado About Nothing, Animal Farm, Metamorphoses, An Iliad, Alice in Wonderland, The Winter’s Tale, Argonautika, Henry V, Pericles, Prince of Tyre, Julius Caesar, The Threepenny Opera, Great Expectations, Man of La Mancha, The Glass Menagerie, King Lear, The Tempest, The Dance of Death, Buried Child, Rosencrantz and Guildenstern Are Dead, Noises Off, Ubu Roi, The Tragedy of Richard III, and the holiday annual A Christmas Carol.

Education/Training: He graduated from UCLA in 1982. 

Kenneth R. Merckx, JR
Resident Artist
AT A NOISE WITHIN:

2026-27 Season: Fight Choreographer, Ma Rainey’s Black Bottom

Previous Seasons: Fight Choreographer, Joe Turner’s Come and Gone; The Piano Lesson; Fight Choreographer, Anna in the Tropics, Seven Guitars, Metamorphoses, The Winter’s Tale, Frankenstein, Argonautika, Othello, Man of La Mancha, King Hedley II, Misalliance; Fight Consultant, Rosencrantz & Guildenstern Are Dead

ELSEWHERE: Ken Merckx has choreographed fights for film, television, theater and universities all across the country. He has taught stage combat for AMDA (LA), Cal State Fullerton & Long Beach, PCPA, Cal Arts and UC, Santa Barbara.  Ken has been the resident fight choreographer for the Idaho and Lake Tahoe Shakespeare Festivals, A Noise Within (Los Angeles) and Great Lakes Theater (Cleveland).

He is proud to have staged violence for the world premieres of Steven Dietz’s Sherlock Holmes: The Final Adventure (Pasadena Playhouse), Jeffery Hatcher’s Dr. Jekyll & Mr. Hyde (San Jose Repertory) and The Suicide Club (Arizona Theatre Company), Octavio Solis’ Cloudlands (South Coast Repertory), Jane Martin’s Somebody/Nobody directed by Jon Jory (Arizona Theatre Company) and the theatrical adaptation of Khaled Hosseini’s The Kite Runner (San Jose Repertory).

Mr. Merckx received Ovation Awards in 2013 & 18 for his fight work at A Noise Within and his MFA, in acting, from the University of Illinois and his BA, in theatre studies, from the University of Washington.