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An oasis for those who love classic stories. Los Angeles Times
October 2015 eNews
  • A Noise Within

    Getting Ready for “Glorious!”

    As we gear up for our A Christmas Carol, Geoff Elliott (adapter, co-director, and Scrooge!) shares his thoughts on bring the holiday classic back for the fourth year. There is something about A Noise Within’s production of Dickens’ A Christmas Carol that keeps it exciting and alive for me. One would think that after several…

  • A Noise Within

    THE CREATIVE PROCESS: Spotlight on Deborah Strang

    “Deborah Strang outdoes herself in this performance, one of her very best I have seen.” -Daniel Lowenstein, Director, UCLA Center for the Liberal Arts and Free Institutions (CLAFI) Ms. Strang sheds light to the creative process of character development: Kate has watched her two sons and all of the neighborhood children grow up. They’ve played…

  • A Noise Within

    INSIDE THE INSIDERS: Where “Friendly, Bright, Insightful” Theatre Lovers Meet!

    Board Member and new INsider, Mark Rabinowitz, shares some thoughts on ANW’s literary group! I am a relatively new member of ANW’s INsiders literary club and as such, I might not be the person you would expect to hear from on the merits of the group. Some of the people in the group have been…

  • A Noise Within

    OWNING THE ROLE!

    Good actors always inhabit their roles. But All My Sons gets under one’s skin even more than most: it touches the players as deeply as it does our patrons. Here our cast shares their thoughts on their characters, and their answers show how piercing Miller’s play really is. What most attracted you to your character…

  • A Noise Within

    ANTIGONE: NOW MORE THAN EVER

    Emily James plays Antigone in a performance that is “impossible not to watch” (San Gabriel Valley Tribune). Here she confides that she feels more closely connected to this “powerful modern hero” (Los Angeles Times) than when she first read the play. “Throughout the process of rehearsing and performing Antigone, many have asked, ‘Why this play…