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An oasis for those who love classic stories. Los Angeles Times

Ken Booth,
he/him/his

AT A NOISE WITHIN:

2020-2021 Season: Lighting Design, All’s Well That Ends Well.

Previous Seasons: Ken is the Resident Lighting Designer at A Noise Within, where he has designed over sixty productions. Some of his favorites include Ubu Roi, Great Expectations, Henry V, Buried Child, A Wilde Holiday, Taming of the Shrew, and The Chairs.

Elsewhere: Ken began lighting in theater over 30 years ago at Stages Theater in Hollywood for Director Paul Verdier (Camaralenta/Slowmotion). He has had the privilege of working with many renowned directors such as Ron Link (Melody Jones: A Striptease in Two Acts); Maria Irene Fornes (Fefu and Her Friends); Stephanie Shroyer (Caucasian Chalk Circle); Deborah LaVine (Kindertransport); William H. Macy (Oleanna); Stephen Sachs (Bakersfield Mist); Simon Levy (A House Not Meant To Stand); Dana Jackson (The Eccentricities of a Nightingale); Dennis Erdman (Rocky Horror Picture Show); Justin Tanner (Heartbreak Help); Shirley Jo Finney (From the Mississippi Delta); Bart DeLorenzo (Cymbeline); Jonathan Muñoz-Proulx (Charlotte Stay Close); Geoff Elliott (Rosencrantz and Guildenstern Are Dead); and Julia Rodriguez-Elliott (Argonautika). Ken studied English Literature and creative writing at UCLA. • kenboothlighting.com