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The Madwoman of Chaillot

September 17 - November 11

The Madwoman of Chaillot

Written by Jean Giraudoux • Translation by Maurice Valency

Directed by Stephanie Shroyer

Liquid (and comedic) gold fuels this feminist, fantastical, frack-tured fairy tale. Oil is discovered under Paris, and Countess Aurelia and her kooky coterie are determined to drive away the evil corporate profiteers lying in wait. A can’t miss rallying-cry for those who crave a satisfying David vs. Goliath fable in the form of incisive, side-splittingly funny theatre.

“Madwoman of Chaillot, The” is presented by special arrangement with SAMUEL FRENCH, INC.


 

Running Time: 2 hours and 25 minutes including an intermission
Content Advisory: This production includes scenes with e-cigarettes that emit water vapor.

Critic's Pick: "A superb revival...extracts every drop of contemporary relevance from the play’s satirical black gold...imaginatively staged" - Los Angeles Times
"WOW: magic" - StageScene LA
"Gloriously delirious" - Hollywood Progressive
"Crafted by a seasoned ensemble" - Stage Raw
"[The play] speaks to a modern age" - Pasadena Star News
The Madwoman of Chaillot
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Austin Nimnicht (“The Broker”), Armin Shimerman (“The Prospector”), Apollo Dukakis (“The Baron”), and Wesley Mann (“The President”). Photo by Craig Schwartz.

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Deborah Stang (“Aurelia, The Madwoman of Chaillot”), Jill Hill (“Therese”, “Mme. Gabrielle, The Madwoman of St. Sulspice”), and Susan Angelo (“Paulette”, “Mme. Constance, The Madwoman of Passy”). Photo by Craig Schwartz.

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Ensemble with Rafael Goldstein (“Pierre”) and Leslie Lank (“Irma”) in foreground. Photo by Craig Schwartz.

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Deborah Stang (“Aurelia, The Madwoman of Chaillot”). Photo by Craig Schwartz.

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artists + cast

The Artists

Cast

† Designer is represented by United Scenic Artists Local USA-829 of the IATSE

* Member of Actors’ Equity Association, the Union of Professional Actors and Stage
Managers in the United States.

ANW Resident Artist

Header Photo: Pictured: Deborah Strang, Jill Hill, and Susan Angelo. Photo by Craig Schwartz.