- Pericles, Prince of Tyre
- The Guardsman
- Endgame
- A Christmas Carol
- Tartuffe
- Macbeth
- Come Back, Little Sheba


By Sarah Ruhl
Directed by Geoff Elliott
Mar 9 – May 19, 2013
CRITIC’S CHOICE - Los Angeles Times
GO! - LA Weekly
“Sheer stagecraft…DAZZLING.”- Los Angeles Times
Pulitzer Prize Nominee Sarah Ruhl uses a hauntingly unique poetic style to re-tell the classic Greek myth of Orpheus through the eyes of his new wife, Eurydice – a magical experience with gripping emotional potency.
RUNNING TIME: 90 minutes (no intermission)
Based on the Greek myth of Orpheus and Eurydice, Sarah Ruhl’s Eurydice explores the myth in a new light, focusing on Eurydice’s perspective. Eurydice, about to be married to her lover Orpheus, dies shortly after her wedding. Eurydice enters the Underworld, where she meets her father, but she has lost her memory. Through language, her father lovingly tells her about her past life. A chorus of stones attempts to convince Eurydice to stay in the Underworld, speaking the language of the dead. Meanwhile, Orpheus grieves for Eurydice and devises a way to see her in the Underworld. However, the Lord of the Underworld stipulates that he must walk back to the world of the living without looking back at Eurydice. Eurydice must choose between a world which includes her father or a world which includes her husband.
Two young lovers, Orpheus and Eurydice, profess their love to each other. Orpheus, a talented musician, tries to teach Eurydice a melody from a song he wrote for her, but Eurydice cannot feel the rhythm. She prefers reading to music. However, she promises to always remember the melody. Orpheus ties a string around her fourth finger so that she will never forget his love.
Eurydice’s Father, who is dead, reads a letter full of advice for his daughter. He tells her that he is one of the few people in the underworld who still remember how to read and write. He drops the letter in a mail slot and imagines his daughter’s wedding day.
After wandering away from her wedding party, Eurydice stands before a water pump and wishes there were more interesting guests. The Nasty Interesting Man appears and invites her to a party with more interesting people, but Eurydice declines. However, he returns again and entices her with a letter from her father, which he claims got delivered to his address by mistake. Reluctantly, Eurydice follows the man into his apartment. The man professes his love to Eurydice. She steals the letter from him and runs towards the stairs. She trips, falls down a flight of six hundred stairs, and dies.
At the entrance of the underworld, a chorus of three stones announce Eurydice’s arrival. Eurydice is bewildered and transitions from speaking the language of the living to the language of dead people, the language of stones. She imagines taking a trip by train. Eurydice’s father meets her. She does not recognize him. He pretends to be the porter of the train and builds her a room made of string and invites her in. In the land of the living, Orpheus writes letters and music to Eurydice. Eurydice receives the letters and a book but does not know how to read them. Eurydice’s Father reads her Orpheus’ letters and teaches her what the words are. She and her father share stories and memories.
When they start to remember music by singing, the stones become disturbed. They command Eurydice’s father to stop singing and go back to work. While Eurydice is alone, a child, the Lord of the Underworld, comes by on his tricycle. He checks to see if Eurydice is comfortable and informs her that rooms and fathers are not allowed in the underworld. He threatens to dip her in the river again.
Eurydice tells her father about her memories of Orpheus. Meanwhile, Orpheus devises a plan to get to the underworld by singing. He writes her a letter which she receives and can read. Orpheus sings his way to the gates of hell and knocks. The Lord of the Underworld, still a child, greets Orpheus. Orpheus asks what he must do to have Eurydice go with him. The Lord of the Underworld tells him to start walking home without looking back under any circumstances.Eurydice hears her husband at the gate and wants to go with him, but is concerned to leave her father behind. Her father reassures her and urges her to go with Orpheus. He leaves her with one final piece of advice – Orpheus cannot turn around to see her, so she must not make any sound. She is afraid and uncertain but she follows behind Orpheus. They walk for awhile, but then Eurydice decides to catch up to Orpheus. She calls Orpheus’ name questioningly and he looks back, breaking the terms of the contract.
Eurydice returns to the underworld, only to find that her string room has been dismantled and her Father has dipped himself in the river of forgetfulness. The Lord of the Underworld, now grown, and tells Eurydice he has chosen her as his bride. She asks for a moment to prepare herself and writes a letter to Orpheus, places it on the ground, and dips herself in the river. Orpheus arrives in the underworld, recognizes Eurydice, and goes to her. It rains on him and he forgets. He finds her letter but cannot read it.


Eurydice

Eurydice
With ANW: Jennifer Dubedat in The Doctor’s Dilemma. Other Theatres: The Antaeus Company: The Seagull, The Malcontent; Pacific Resident Theatre: Becky’s New Car, The Time of Your Life, Macbeth; The Getty Villa: Hippolytos; Theatricum Botanicum: Othello, Midsummer Night’s Dream, Fashion; Various regional: Hello Again, The Beaux Stratagem, The Amorous Flea; International: Edinburgh International Fringe Festival in The Contest. Film/TV: CSI:NY, The Forgotten, 10000 Days, iVote, Deadline and Snake & Mongoose. Education/Training: M.F.A. in Acting, University of California Los Angeles School of Theatre Film and Television; B.A. in Drama, University of Missouri

Her Father

Her Father
ANW Producing Artistic Director. With ANW: Director: The Playboy of the Western World, The Tempest, The Taming of the Shrew. Co-Director: A Christmas Carol, Antony and Cleopatra, The Chairs, Great Expectations, Measure for Measure, Noises Off, Henry IV, Part 1, The Winter’s Tale, Loot, The Master Builder, Othello, Mourning Becomes Electra, A Midsummer Night’s Dream at The Hollywood Bowl and at ANW, and more. Played: Ebenezer Scrooge in A Christmas Carol, Sir Colenso Ridgeon in The Doctor’s Dilemma, Antony in Antony and Cleopatra. Malvolio in Twelfth Night, Old Man in The Chairs, Jaggers/Joe Gargery in Great Expectations, Angelo in Measure for Measure, Old Mahon in The Playboy of the Western World, Lloyd Dallas in Noises Off, Hero in The Rehearsal, Bill Sikes/Ensemble in Oliver Twist, Falstaff in Henry IV, Part 1, Rev. Shannon in The Night of the Iguana, Leontes in The Winter’s Tale and more. Other Theatres: South Coast Repertory, Arizona Theatre Company, American Conservatory Theatre, Berkeley Shakespeare Festival, California Repertory Education/Training: M.F.A., American Conservatory Theatre.

A Nasty Interesting Man / Lord of the Underworld

A Nasty Interesting Man / Lord of the Underworld
With ANW: Debut. Other Theatres: Oregon Shakespeare Festival, Marin Theatre Company, Independent Shakespeare Company, International City Theatre, and Anteaus Company. Film/TV: Young and the Restless, Eagleheart. Audio Books/Voice Over: Bee Audio, Book Buddy Audio, World of Warcraft, Diablo III. Education/Training: B.Arch from Carnegie Mellon, MFA from CalArts.

Little Stone

Little Stone
With ANW: Ensemble in Cymbeline. Other Theatres: In and around New York City, including Celia in As You Like It; Liz in Loose Knit, Raina in Arms and the Man. Film/TV: mun2, Speak American. Education/Training: B.A. Theatre and Literature, Ramapo College; Cert. in Shakespearean and Classical Acting, British American Drama Academy. ANW Professional Acting Internship.

Loud Stone

Loud Stone
With ANW: Minnie Tinwell in The Doctor’s Dilemma. Other Theatres: Fan in A Christmas Carol at South Coast Repertory, Outlaw in Two Gentleman of Verona at Seattle Shakespeare Company, Marcy in Dog Sees God at Theatre Out, numerous productions at Cornish College of the Arts including Liz Imbrie in The Philadelphia Story. Film/TV: Emma in The Potentials, a 2012 Telly Award winning short. Education/Training: BFA in Acting from Cornish College of the Arts, South Coast Repertory Professional Intensive graduate, Former ANW intern.

Big Stone

Big Stone
With ANW: Mrs. Fezziwig/Ensemble in A Christmas Carol, Emmy (u/s) in The Doctor's Dilemma. Other Theatres: Los Angeles: South of Delancey at Fremont Centre Theatre. London: Miranda in The Tempest-Dir. Ben Benison, Mayor in The Visit-Dir. Tim Sheader at Oval House, A in Crave-Dir. Ian Wooldridge. DC Theatre: Viola in Twelfth Night, Girl in Autobaun, Popova in The Bear, Paulina in A Winter’s Tale, Nurse in Metamorphosis. Film/TV: The Dream with Bruce Dern, Glee, People at a Party Dir, John Gorrie (BBC). Commercials: Barclay’s Bank, Philip Morris Anti-Smoking Campaign. Education/Training: BA from The George Washington University, British American Drama Academy, former ANW Professional Acting Intern.

Orpheus

Orpheus
With ANW: Debut. Other Theatres: He is a member of Ensemble Studio Theatre/LA and a founding member of IAMA Theatre Company. At IAMA: World Premiere productions of Lesyle Headland's Cinephilia and Assistance, Neil LaBute's Call Back and Christian Durso's Shiner. At EST/LA: Crack Whore Galore - LIVE, House of Gold, Bright Boy. Film/TV: Grey's Anatomy, Saving Lincoln, Nanking, Robotropolis, Zombie Honeymoon. In addition to his acting credits, Graham has has penned a number of screenplays, plays and short stories including Dog Lovers (co-writer Tonya Cornelisse), which premiered at the Sundance Film Festival and his first graphic novel called Cirrus: The Red Storm alongside illustrator Hillary Bauman. Education/Training: BFA from Chapman University in Theatre/Screenwriting. He would like to thank his friends, family and his beautiful, amazing and talented girlfriend Linda... for her undying love and support in "our plan".

ANW Producing Artistic Director. With ANW: Director: The Playboy of the Western World, The Tempest, The Taming of the Shrew. Co-Director: A Christmas Carol, Antony and Cleopatra, The Chairs, Great Expectations, Measure for Measure, Noises Off, Henry IV, Part 1, The Winter’s Tale, Loot, The Master Builder, Othello, Mourning Becomes Electra, A Midsummer Night’s Dream at The Hollywood Bowl and at ANW, and more. Played: Ebenezer Scrooge in A Christmas Carol, Sir Colenso Ridgeon in The Doctor’s Dilemma, Antony in Antony and Cleopatra. Malvolio in Twelfth Night, Old Man in The Chairs, Jaggers/Joe Gargery in Great Expectations, Angelo in Measure for Measure, Old Mahon in The Playboy of the Western World, Lloyd Dallas in Noises Off, Hero in The Rehearsal, Bill Sikes/Ensemble in Oliver Twist, Falstaff in Henry IV, Part 1, Rev. Shannon in The Night of the Iguana, Leontes in The Winter’s Tale and more. Other Theatres: South Coast Repertory, Arizona Theatre Company, American Conservatory Theatre, Berkeley Shakespeare Festival, California Repertory Education/Training: M.F.A., American Conservatory Theatre.
With ANW: Scenic Design for A Christmas Carol. Other Theatres: Ms. Ringer has spent the last decade working in television, film, theater and other live events. She received her MFA from the University of California, Irvine. There, she took a particular interest inimmersive theater, where the scenic environment completely immerses the audience, and provides thespectator with an opportunity to interact with the production. From there, she went on to work in filmand television both as a Production Designer and as a Stylist/Dresser. She has since had opportunities towork on multiple theatrical productions, films, commercials, music videos, and live events. A Christmas Carol marks her first production with A Noise Within. Ms. Ringer is very excited to have the opportunity to design this holiday classic with a few new twists.
ANW Resident Artist. With ANW: Set Designer: Ghosts, The School For Wives, Julius Caesar, The Seagull, The Winter’s Tale, As You Like It, Twelfth Night, Cyrano de Bergerac (1995), The Country Wife. Costume Designer: A Christmas Carol, Cymbeline, The Bungler, Antony and Cleopatra, Twelfth Night, Or What You Will, The Comedy of Errors, The Chairs, Great Expectations, Waiting for Godot, Loot, As You Like It, A Midsummer Night’s Dream at The Hollywood Bowl and at ANW, among others. Other Theatres: South Coast Repertory, Pasadena Playhouse, Denver Center Theatre, The Old Globe, Laguna Playhouse, Tiffany Theatre, Open Fist, South Coast Rep, West Coast Ensemble, Theatre 40, Odyssey Theatre, Stella Adler Theatre, among others. Film/TV: 16 productions with I.R.S.Media, PBS, Full Moon Productions, Moviestore Entertainment, Romanian Films. Education/Training: M.F.A. in Set and Costume design at The Academy of Fine Arts in Bucharest, Romania. Member of the Costume Designers Guild in the USA and Romania.
With ANW: Original music & sound design for The Doctor’s Dilemma, The Illusion, original music & sound design for Blithe Spirit, sound design for Twelfth Night, original music for Great Expectations, original music & sound design for Measure For Measure. Other theatres: Original music & sound design for The Heiress at the Pasadena Playhouse, sound design for The Boomerang Effect at the Odyssey Theatre, original music & sound design for No Good Deed at ITF/Furious Theatre Company, original music & sound design for Boom at Furious Theatre Company, original music and sound design for The Pain & the Itch at The Theatre @ Boston Court/Furious Theatre Company, sound design for Girls Talk at Lee Strasberg Theatre. Film/TV: Production sound for The Walking Dead Webisodes AMCtv/GenerateLA, composer & sound designer for A.G.A.N.G by Matt Pelfrey, sound designer for Revenge of the Bimbot Zombie Killers Celtino, sound mixer for Takedowns & Falls Resilient Pictures, composer & sound designer for Pure Shock Value Furious Films. Education & Training: BA in Theatre Arts, Texas A&M University. Doug is the owner and operator of Zipline Sound (www.ziplinesound.com)
With ANW: Desire Under the Elms, The Winter’s Tale, Oliver Twist. Other Theatres: Endre Balogh has enjoyed a distinguished career as one of the foremost concert violinists of his generation, having performed as soloist with eminent orchestras like the Berlin Philharmonic and Los Angeles Philharmonic under conductors such as Zubin Mehta and Christoph von Dohnányi. As a chamber musician, he has made music with such luminaries as Vladimir Horowitz and André Watts. He is also an accomplished photographer with several solo exhibitions to his credit. One of his photos recently graced the cover of Shutterbug Magazine’s annual “Expert Photo Techniques Guide” and he is highly sought after for his Art Photography, Theatrical Headshots, and Portraits. A coffee table book of his black and white flower photos, “Black And White In Bloom” with a forward by David Mamet, was just published. His constantly expanding portfolio of work may be seen on his web.
With ANW: Production Manager. Stage Manager for Cymbeline, Antony and Cleopatra & The Bungler. Other Theatres: Lighting Design with Norwegian Cruise Lines, Bas Bleu Theater Company, Colorado State University, and the Pine Mountain Music Festival. Scenic Design with Three Feathers Theater Company and Bas Bleu Theater Company. Education/Training: B.A. in Performing Arts from Colorado State University. Internships with Live Design International, Goodspeed Opera House, Kennedy Center @ The Prague Quadrennial, ETC, and winner of the National Barbizon Award for Excellence in Lighting Design 2011.
With ANW: Carpenter on The Grapes of Wrath, Scenic Intern/Production Assistant on Cymbeline, The Doctor’s Dilemma and A Christmas Carol. Other Theatres: Intern/Assistant Teacher at Rocky Mountain Theater for Kids Film/TV: Art Department: The Guild, Borderlands 2 Live Action Commercial, The Birthday Boys, Happy Endings, Husbands, and Chatroom of Solitude. Education/Training: BA in Theater Arts from the University of Puget Sound in Tacoma WA.





FREE to all Eurydice ticket holders. A noted scholar will join A Noise Within artists in a lively and in-depth, pre-show discussion on the play.
Wednesday, March 13 | 6:30pm

Join the artists from the production for an informal dialogue with you, the audience after the following performances:

FREE to all performance ticket holders. Network with fellow young professionals at an exclusive reception in the theatre lobby on:
Friday, April 19 | 6pm

Youth, ages 6-17, may join their parents for the play or participate in an on-site theatre arts workshop during the following performance:
Saturday, March 23 | 2pm
3352 E Foothill Blvd, Pasadena, CA 91107
626.356.3100
©2013 A Noise Within. All rights reserved.


